
Although all of Europe’s (and not
only) dark scene is focused on the Wave-Gotik-Treffen in Leipzig Germany this
weekend, we had the opportunity on Friday June 7th to attend one of London After Midnight’s rare live
appearances here in Athens, 2 days before their appearance at WGT. It had been
11 years since London After Midnight last played in Greece , so the anticipation was big
and we were lucky that Death Disco
and Evolution TV organized the
event, giving us the opportunity to see the band live again. For me it was my
first time.

After a small delay from the
scheduled time, the lights went out around 11:00 pm and the video wall started
projecting promo videos of the bands releases. Then the band took to the stage
and plunged into "Nightmare" starting in a dynamic way. Straight
after "Psycho Magnet" was played followed by one of my favorites
"Shatter (All My Dead friends)" and other oldies like
"Demon", "The Spider And The Fly" and "Claire’s
Horrors" where guitarist Matthew Setzer switched his electric guitar to a
12 string acoustic. At one point, a female fan offered frontman Sean Brennan a
rose, which he kindly took and held it by his microphone.

Then they played "Let Me
Break You", a song they hadn’t played since 1996! "Complex
Messiah" from their latest till date 2007 album "Violent Acts Of
Beauty" followed, before playing "Revenge" which they introduced
as “This is an anti fascist song”
with the anti swastika symbol projected behind them on the video wall. They
continued making their political statements and forwarded the next song by
saying “This is about our president”
and started playing "America’s A Fucking Disease" with political
attired projections showing Donald Trump as well. As things started to heat up,
the guitarist teased us by saying the next song is going to be slow one but
they delivered a fast one instead. Then they played us another live rarity,
"Inamourada" that hadn’t been performed since 1994.

Then it was time for "Love
You To Death", another of the standout from "Violent Acts Of
Beauty". Singer Sean Brennan with his characteristic look, two toned color
long hair, black cobweb bondage garb and tall leather boots, seemed to be
having some technical difficulties with his sound. Something that might have
made him seem a bit restrained. Guitarist Matthew Setzer gave a more theatrical
tone with his moves and poses. With them on bass was original member Michael
Areklett, a really good asset to the live outfit, bringing something in from
their glorious past. They also played us a new song that was fast and speedy
with a really hard sound with words sung as “Singing after the end of the world”, sounding more like their
latest work and more rockier compared to their more gothic romantic past. The
mood switched with "The Bondage Song" that suddenly became more
industrial/techno. At this point, the band left the stage for a break.

With their reentry, guitarist
Matthew introduced the other band members, Pete Pace on drums, original bass
player Michael (Williams) Areklett and last but not least frontman Sean Brennan.
With that, they played for an encore their most massive hits "Kiss"
and "Sacrifice" leaving their fans screaming and cheering. Overall it
was good gig, with a really good setlist, which I think left all their fans
happy. The band also seemed to have enjoyed the concert and their trip here,
despite the heat, which could be considered as warm up before their headlining
slot at Agra Hall tomorrow Sunday.

Review by Nick Drivas
Photos by Marilia Fotopoulou
Photos by Marilia Fotopoulou
Categories:
LIVE REVIEWS
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